Literary notes about exorcise (AI summary)
The term "exorcise" has been employed in literature in both literal and metaphorical ways, illustrating its flexible symbolic power. In some works, it retains a traditional religious or supernatural sense, as when Father Brown is summoned to expel tormenting spirits from a household ([1]) or when a sorcerer struggles in vain to expel a devilish force causing illness ([2]). Similarly, ritualistic invocations appear in works like Goethe's Faust, where the command to "exorcise thee" evokes the dramatic unveiling of disguised truths ([3]), and in Boccaccio’s texts where prayers accompany the expulsion of phantoms ([4], [5]). Conversely, authors also employ the term figuratively to denote the act of purging or overcoming undesirable qualities; for instance, William James critiques the attempt to banish sensitive subjectivity, conflating it with a broader moral ailment ([6]), while Santayana uses it to describe the youthful ambition of eradicating a challenging reality ([7]). Such diverse applications demonstrate how "exorcise" has evolved beyond its strictly occult roots to embody broader themes of purification and liberation in literature.
- Mr. and Mrs. Metzler, who are devout Catholics, had Father Brown come to the house to exorcise the spirits which were tormenting them.
— from British Goblins: Welsh Folk-lore, Fairy Mythology, Legends and Traditions by Wirt Sikes - in vain, the sorcerer proceeds to exorcise the devil who is causing the illness.
— from The Golden Bough: A Study of Magic and Religion by James George Frazer - Now, to undisguise thee, Hear me exorcise thee!
— from Faust [part 1]. Translated Into English in the Original Metres by Johann Wolfgang von Goethe - THAT IT IS A PHANTOM; WHEREUPON THEY GO TO EXORCISE IT WITH A CERTAIN ORISON AND THE KNOCKING CEASETH
— from The Decameron of Giovanni Boccaccio by Giovanni Boccaccio - God knoweth I should never have dared go alone to make proof of it; but, now that thou art here, I would have us go exorcise the phantom.'
— from The Decameron of Giovanni Boccaccio by Giovanni Boccaccio - It is utterly hopeless to try to exorcise such sensitiveness by calling it the disturbing subjective factor, and branding it as the root of all evil.
— from The Will to Believe, and Other Essays in Popular Philosophy by William James - To master the real world was an ancient and not too promising ambition: it suited his youthful radicalism better to exorcise or to cajole it.
— from The Life of Reason: The Phases of Human Progress by George Santayana