The term “enrage” is employed in literature to convey a potent surge of anger, often marking the pivotal moment when personal pride, social customs, or divine wrath is suddenly provoked. For instance, in Dostoyevsky’s narrative, it signifies the brewing of an emotional storm within a charged interpersonal scene [1], while in Chekhov’s work, it is used to underscore a sacred transgression that risks inciting even the gods’ ire [2]. Oscar Wilde adopts a more subtle approach, linking the term to an inner, almost uncontrollable fury spurred by aesthetic or emotional perceptions [3]. Its use extends beyond the personal into the realms of power and hierarchy—as seen in narratives about masters and kings in both contemporary and ancient texts [4], [5]—demonstrating the word’s versatility in illustrating the complex interplay between authority, sentiment, and consequence. Additionally, a cross-linguistic note in Galdós’ work hints at a broader semantic field, associating “enrage” with infuriation and strong anger in various cultural contexts [6].