The word "encore" has long served as a powerful linguistic motif in literature, symbolizing an audience’s demand for continued performance as well as broader themes of repetition and persistence. In works like James Joyce’s Ulysses [1, 2, 3, 4, 5, 6, 7], "encore" is deployed as a dramatic exclamation that punctuates the narrative and calls for another round of applause, resonating with the jubilant spirit of the moment. Mark Twain’s A Connecticut Yankee in King Arthur's Court [8, 9, 10] similarly harnesses the term to capture a communal excitement, with repeated cries reinforcing a sense of shared enthusiasm. Beyond the stage, authors like Charles Dickens [11] and Anton Chekhov [12, 13] use "encore" to underline moments of surprise or to heighten tension, while French compositions and historical texts [14, 15, 16, 17, 18, 19, 20, 21, 22] illustrate the word’s adaptability in conveying both literal and metaphorical continuations. Even in the travel narratives of Marco Polo [23, 24, 25, 26, 27] and in the philosophical musings of writers like Bernard Shaw [28] and Charles Darwin [29], "encore" emerges as a multi-faceted term, bridging performance, narrative structure, and the persistent human desire for more.