The term "embargo" in literature has been employed in a variety of ways that reveal its rich semantic flexibility. In many Spanish texts, phrases such as "sin embargo" serve as transitional markers meaning "nevertheless" or "however," as seen repeatedly in Galdós and Remy and Roessler's works ([1], [2], [3], [4], [5], [6], [7], [8], [9], [10]). In contrast, English-language literature often uses "embargo" in its literal sense to denote formal prohibitions on trade, commerce, or even the flow of ideas. For instance, Ukers discusses trade restrictions in the commodity world ([11], [12]), Thomas Jefferson and others detail embargoes as political or economic tools ([13], [14], [15], [16], [17], [18], [19]), and Dumas refers to halting maritime activities ([20], [21]). Additionally, Austen employs the term metaphorically to suggest a suspension of expression ([22]), while both Freud and Frazer examine embargoes in broader socio-cultural contexts ([23], [24]). Together, these examples illustrate how "embargo" can function not only as a linguistic connector in Spanish literature but also as a potent symbol of prohibition and restriction in political and economic narratives.