Literary notes about emaciated (AI summary)
Writers employ the term "emaciated" to evoke images of extreme physical frailty, often symbolizing both bodily deterioration and deeper suffering. For instance, a character’s appearance may be rendered as unnervingly gaunt to reflect years of hardship or illness, as seen in descriptions of older figures who, though numerically young, appear aged by the ravages of life [1] or whose features convey the profound toll of endless struggle [2]. At times the term underlines the stark contrast between external weakness and an inner persistence, emphasizing the desolation wrought by disease, poverty, or spiritual torment [3][4]. This carefully chosen word thus serves not only as a physical descriptor but also as a means to deepen the narrative’s emotional and thematic impact, creating a vivid portrait of human vulnerability and decline [5][6].
- He was scarce fifty, perhaps, but so emaciated as to appear much older.
— from Nicholas Nickleby by Charles Dickens - His limbs were nearly frozen, and his body dreadfully emaciated by fatigue and suffering.
— from Frankenstein; Or, The Modern Prometheus by Mary Wollstonecraft Shelley - My frame became weak, feverish, and emaciated.
— from The Monk: A Romance by M. G. Lewis - Terrible as his brother Nikolay had been before in his emaciation and sickliness, now he looked still more emaciated, still more wasted.
— from Anna Karenina by graf Leo Tolstoy - The envious emaciated toiler and arriviste.
— from The Twilight of the Idols; or, How to Philosophize with the Hammer. The Antichrist by Nietzsche - Begone, begone, ye stunted, emaciated epigones!
— from The Birth of Tragedy; or, Hellenism and Pessimism by Friedrich Wilhelm Nietzsche