Literary notes about drawl (AI summary)
Writers frequently use the word “drawl” to evoke a distinctive, leisurely cadence that reveals aspects of a character’s background or emotional state. A languid, drawn‐out style of speech can emphasize regional identity or convey a sense of nonchalance, as when a character speaks with an air of indifference [1] or when the measured rhythm of their words hints at cultural heritage, as in the depiction of a Texas drawl [2]. The term is also employed to create irony or mood; for instance, an impersonal English drawl might underscore detachment [3] while a slightly affected tone can subtly mark social affectations [4]. Thus, through its varied use, “drawl” enriches dialogue by infusing it with nuance and a palpable sense of place.
- 'So intent upon your book?' 'Ye-e-es,' replied Bella, with a drawl of indifference.
— from Our Mutual Friend by Charles Dickens - He passed us and repassed us, still gazing out, and in his long Texas drawl said, “Thar’s them San Miguel fellers.”
— from Pony Tracks by Frederic Remington - At last he spoke, with that slow, impersonal English drawl: "I say, my man, what is your name and number."
— from Trenching at Gallipoli The personal narrative of a Newfoundlander with the ill-fated Dardanelles expedition by John Gallishaw - “Good mor-ning,” she cried, in her sweet, affected drawl.
— from The Garden Party, and Other Stories by Katherine Mansfield
