The word “doing” in literature is a dynamic little term that encapsulates both the literal and the figurative aspects of action. Authors often use it to anchor a character’s experiences in the immediacy of their behavior—as when characters grapple with what they are “doing” without a clear purpose ([1], [2]) or when dialogue centers on inquiring about daily undertakings ([3], [4]). At the same time, “doing” can highlight a sense of duty or moral endeavor, reflecting both personal initiative and societal obligations; for example, it is used to evoke committed engagement in tasks ([5], [6], [7]), or even to underscore the notion that one’s fulfillment comes from the act of doing rather than the outcome itself ([8], [9]). This versatility allows “doing” to serve as a bridge between physical action and deeper existential meaning, enriching narratives across genres and eras.