The term "display" in literature spans a broad spectrum of meanings, ranging from the literal exhibition of objects or actions to the more abstract manifestation of qualities, emotions, or power. In some passages, it denotes a clear, physical presentation—whether referring to computer commands [1], heraldic symbols [2, 3], or even the aesthetic arrangement of architecture and merchandise [4, 5]. In other contexts, it captures the act of showing off virtues or vices, as when characters exhibit pride, courage, or vanity through their actions [6, 7, 8, 9]. Poets and literary dramatists also use the term to evoke natural beauty and the dramatic unfolding of internal states, as seen in descriptions of dancing movements or the unfolding of celestial phenomena [10, 11, 12]. Thus, "display" remains a multi-layered device, adept at conveying both tangible and intangible aspects of human experience [13, 14].