In literature, the word “differences” is employed in a myriad of ways to signify distinctions that range from the subtle to the profound. Authors invoke it to describe individual variability, as seen when John Dewey and William James reflect on personal and perceptual variations ([1], [2]), while others like E. M. Forster and Thomas Hardy illustrate how differences—whether in color, character, or nature—add richness and complexity to human experience ([3], [4]). The term also marks distinctions in opinion, cultural traits, and even minutiae in art or physical form, as exemplified in discussions from Aristotle’s analysis of poetic imitation to Darwin’s scientific observations ([5], [6]). Across genres and disciplines, “differences” becomes a versatile concept, serving both as a tool for critical analysis and as a lens through which the diversity of the world is celebrated or scrutinized ([7], [8]).