The term "declamatory" has been deployed in literature to evoke a sense of theatricality and rhetorical flourish. In some works, it criticizes a tendency toward overly bombastic or insincere expression, as seen in the early poetry described for its “declamatory or bombastic” style that sometimes bordered on superficiality [1]. In other contexts, the word characterizes performances or musical expressions marked by an impassioned, rhetorical quality, such as a staged declamatory performance at an amateur theatre [2] or the stylized delivery of hymns and poetical pieces [3, 4]. Authors like Mary Wollstonecraft Shelley reference a declamatory style that consciously imitates the grandeur of Eastern literature, presenting it as a deliberate and patterned mode of expression [5, 6]. Similarly, even historical figures are portrayed in contrast to this approach—where a smooth, polished manner is favored over a declamatory one, emphasizing seriousness and clarity [7]—and writers like Francis Bacon describe modes of expression as either tribunitial or declamatory, underscoring their formal, impassioned qualities [8].