The word "Decameron" has come to signify not only Boccaccio’s groundbreaking framework but also a rich tradition of narrative innovation and intertextual dialogue in literature. In its original context—as seen in multiple sections naming the various days of its telling ([1], [2], [3], [4], [5], [6], [7], [8], [9])—the term underscores a structured collection of stories that weave together themes of love, fortune, and human folly ([10], [11]). The title’s inherent word-play and layered ambiguity have been noted as a key feature of the work’s style ([12], [13]), a technique that has resonated with later writers and critics. Moreover, its influence is evident in comparisons drawn to other narrative works such as Chaucer’s Canterbury Tales ([14]) and in allusions found even in Dante’s texts ([15], [16], [17]). The continued discussion and varied editions, including a noted pocket edition ([18]) and historical annotations ([19]), illustrate how "Decameron" has maintained a central, evolving place in the literary canon.