The term "debility" has been used in literature to denote various forms of weakness—whether physical, mental, or institutional—and its usage reflects the context of the situation at hand. In some works, such as Montaigne's essays, it appears almost paradoxically as an element that can be acknowledged as part of the natural order of human frailty [1]. In historical and political texts like José Rizal's writing, debility is employed to underscore the isolating and inhibiting effects of conquest [2]. Mary Wollstonecraft Shelley vividly depicts the debilitating effects on the individual, as seen in multiple passages from Frankenstein where physical weakness restricts both action and judgment [3, 4, 5]. Medical texts, including those by T. H. Pardo de Tavera and compilations like The New Gresham Encyclopedia, use the term in a diagnostic sense to describe symptoms accompanying various illnesses [6, 7]. Meanwhile, literary figures such as Chekhov and Dickens extend its application to characterize emotional and existential languor [8, 9], and even Edmund Burke and Charlotte Brontë refer to forms of debility that undermine both practical capability and intellect [10, 11]. This diverse use of "debility" across genres illustrates its rich semantic capacity to capture states of decline, vulnerability, and weakness in both concrete and metaphorical terms.