The term "curator" has been employed in literature with a rich diversity of connotations, ranging from its formal role as a steward of collections to a character imbued with a narrative presence. In historical and scholarly contexts, the word is used to denote an official custodian—such as in the designation of museum experts in texts like those describing Peter C. Welsh at the Smithsonian [1] or even in ancient administrative roles like that of Augustus overseeing “the roads” [2]. Simultaneously, literature often portrays the curator as a character engaged in the unfolding of narrative events; for instance, Rudyard Kipling’s works repeatedly cast him in roles that merge authority and personality—from leading a guest through curious collections [3] to smiling while contemplating the interplay of old-world piety and modern progress [4]. This juxtaposition underscores the term's flexibility, blending the dignified formalities of cultural stewardship with a dynamic, sometimes whimsical, literary identity.