The term "constable" in literature appears as a multi-faceted symbol of authority, duty, and sometimes comic absurdity. In the canonical works of Dickens, Eliot, and Joyce, the constable is portrayed as an emblem of the legal order—whether it is the apprehensive presence in "Adam Bede" ([1], [2], [3]) or the routine interrogator in "Dubliners" ([4], [5], [6]). Shakespearean comedies such as "Much Ado About Nothing" present characters like Master Constable Dogberry with a humorous twist ([7], [8], [9], [10], [11], [12]), underlining how the role can be both authoritative and buffoonish. Meanwhile, authors like Conrad, Wells, and Doyle employ the figure of the constable to build tension and underscore social dysfunction ([13], [14], [15], [16], [17], [18]). Whether represented as a practical, everyday officer in administrative lists ([19], [20], [21]) or as a symbol of larger governmental authority ([22], [23], [24]), the word “constable” is versatile, embodying varying degrees of respect, irony, and narrative function across literary genres, periods, and contexts ([25], [26], [27], [28], [29], [30]).