Across literary and scholarly texts, the term "consists" is frequently used to delineate the essential components or nature of a subject—whether a physical object, idea, or abstract quality. In many contexts, it functions as a precise means to itemize parts or elements, as seen when a lung is described as composed of distinct sections [1], or a text is divided into specific parts [2, 3]. Equally, "consists" appears in more conceptual discussions, such as defining morality [4], reality [5], or even intricate emotional phenomena like love [6], thereby emphasizing the underlying structure or intrinsic makeup of these subjects. This dual capacity—to articulate both tangible assemblies and abstract essences—is what makes "consists" a valuable and versatile term in literary and philosophical analyses [7, 8, 9].