Across literature, the word "changing" functions as a versatile marker of transformation—whether in behavior, scenery, or emotional state. In some works it highlights moral or personal evolution, as seen when Equiano advises that treating slaves as men could banish fear through a simple change in conduct [1], or when Goethe reflects on his ever-shifting sensations [2]. In epic verse and descriptive passages, "changing" vividly conveys the ephemeral beauty of nature and art, as in Valmiki’s portrayal of gem-like arches that shed an ever-changing lustre [3] or in Lawrence’s depiction of a shifting sky [4]. It also marks narrative shifts, whether in physical direction—as when Dana describes vessels altering their courses [5]—or in tone and subject, such as Ibsen’s sudden changes in dialogue [6, 7] and Tolstoy’s shifting portrayals of character and circumstance [8, 9]. Thus, across genres and eras, "changing" encapsulates the fluidity of life, underscoring that transformation is a constant undercurrent in both the external world and the inner lives of characters.