The term “changes” in literature is remarkably versatile, functioning both as a descriptor of gradual transformations and as a marker for sudden shifts in form, fortune, or perception. In religious and classical texts, for example, it captures shifts of time and nature, as seen in depictions of seasons and life's cycles [1], [2], [3]. In narrative works, “changes” can illustrate character development or alterations in mood and circumstance—from the subtle modifications in personal well-being or relationships [4], [5], [6] to dramatic reversals of fate [7], [8]. Moreover, in linguistic and grammatical contexts, the word is employed to denote technical modifications and editing processes, underscoring its precision in both abstract and concrete realms [9], [10], [11]. Whether highlighting natural metamorphosis, societal evolution, or the minutiae of structural alterations, “changes” consistently serves as a bridge linking the inexorable flow of time and circumstance with the intimate process of transformation.