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Literary notes about bray (AI summary)

The word "bray" in literature is a multifaceted term that connotes not only the literal harsh cry of a donkey but also represents absurdity or foolishness in human behavior. In some works it is employed onomatopoetically to evoke the unmistakable sound of a donkey—for instance, when a character transforms and begins to bray, thereby heightening the raw energy of the moment ([1], [2], [3]). Simultaneously, it is used metaphorically to describe noisy, irrational clamor or to cast a critical light on a character’s behavior, as when the sound becomes emblematic of unreasoning or tumultuous displays ([4], [5]). Additionally, the recurrence of "Bray" as a surname in narratives introduces a playful intermingling of name and action, deepening the text's layers of irony and social commentary ([6], [7]). Through these diverse applications, authors harness the word "bray" to enrich both the auditory imagery and the thematic complexity of their works ([8], [9]).
  1. In a little while he changes into a real Donkey and begins to bray.
    — from The Adventures of Pinocchio by Carlo Collodi
  2. When you hear a donkey bray, you not only hear a noise, but realize that it comes from a donkey.
    — from The Analysis of Mind by Bertrand Russell
  3. I recollect I awoke from this state for the first time at Basle, one evening; the bray of a donkey aroused me, a donkey in the town market.
    — from The Idiot by Fyodor Dostoyevsky
  4. For lack of victuals, before God, I roar, bray, yell, and fume as in a furious madness.
    — from Gargantua and Pantagruel by François Rabelais
  5. And even has ventured such lengths as to say, That, when mortals speak nonsense, they utter a bray!
    — from The Fables of La Fontaine by Jean de La Fontaine
  6. ‘Hush! hush!’ cried Mr. Bray, suddenly starting up, and covering Ralph’s mouth with his trembling hand.
    — from Nicholas Nickleby by Charles Dickens
  7. This was one, for Nicholas had but glanced round him when he was recognised by Mr. Bray, who said impatiently: ‘Now, sir, what do you want?
    — from Nicholas Nickleby by Charles Dickens
  8. Besides which, you have been told that it is folly to take offence at merely hearing a bray.
    — from Don Quixote by Miguel de Cervantes Saavedra
  9. And, as he drains his draughts of Rhenish down, The kettle-drum and trumpet thus bray out
    — from Hamlet, Prince of Denmark by William Shakespeare

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