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Literary notes about both (AI summary)

The word "both" is used in literature as a versatile coordinating conjunction that pairs two elements—be they characters, qualities, actions, or objects—to emphasize their joint significance or offer a balanced comparison. In epic poetry and classical texts, for instance, it serves to underscore the dual roles of figures or attributes, such as in Virgil’s depiction of divine messengers [1] or in descriptions of armies and fleets [2]. In more analytical or expository prose, "both" connects parallel ideas or qualities, as seen when it links grammar components [3] or contrasts physical and abstract properties [4]. Its usage spans a wide spectrum: from highlighting the simultaneous actions of characters, such as two individuals sharing similar fates [5] or both crying out in unison [6], to underlining the dual nature of concepts in philosophical or critical arguments [7, 8]. Thus, whether in narrative dialogue or scholarly discourse, "both" provides a succinct method to draw attention to pairs that are equal in contribution or significance.
  1. Now even the gods' interpreter, sent straight from Jove—I call both to witness—hath borne down his commands through the fleet air.
    — from The Aeneid of Virgil by Virgil
  2. Both armies stood a long time at the margin of the river, keeping quiet from dread of the result; and profound silence was observed on both sides.
    — from The Anabasis of Alexander by Arrian
  3. These are the infinitive (which is both verb and noun ) and the participle (which is both verb and adjective ).
    — from An Advanced English Grammar with Exercises by Frank Edgar Farley and George Lyman Kittredge
  4. It is composed both of the infinitely great and the infinitely little.
    — from Les Misérables by Victor Hugo
  5. And they were both happy.
    — from Best Russian Short Stories
  6. Suddenly they both cried out at once: [Pg 226] “Whyever is he so long coming.
    — from Russian Fairy Tales: A Choice Collection of Muscovite Folk-lore
  7. Information concerning one specific tendency is of no avail for the exclusion of its opposite; there is room for both of them.
    — from A General Introduction to Psychoanalysis by Sigmund Freud
  8. It is under Capricorn, and therefore under both Saturn and Mars, one rids melancholy by sympathy, the other by antipathy.
    — from The Complete Herbal by Nicholas Culpeper

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