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Literary notes about bogus (AI summary)

The word "bogus" in literature serves as a versatile descriptor for things that are false, counterfeit, or insincere. It is frequently employed to cast doubt on the authenticity of documents, telegrams, or money, as seen with a fraudulent telegram designed to inveigle a judge [1] or bogus currency and financial instruments that deceive the public [2][3]. At the same time, authors sometimes use "bogus" playfully or as a proper noun, naming characters or even locations—for instance, a king of Mauritania [4] or a place called Bogus Bay [5]. Additionally, the term can underscore the disreputable or deceptive nature of individuals and institutions, highlighting themes of corruption and pretense in society [6][7].
  1. Mason had promised to inveigle away the resident judge by means of a bogus telegram, and he had done so.
    — from The Strange Schemes of Randolph Mason by Melville Davisson Post
  2. Our people have been and are being robbed out of thousands of dollars by these bogus Masons in this and other States.
    — from The Early Introduction of Bogus Freemasonry in the United States of America and Texas Among Colored Masons by C. L. (Charles L.) Mitchell
  3. It was arranged to send in the first lot of bogus bills on Thursday, giving me two full days out of the country.
    — from Bidwell's Travels, from Wall Street to London Prison: Fifteen Years in Solitude by Austin Bidwell
  4. Bogus, king of Mauritania, i. 151 , 153 , 154 ; ii. 36 ; iii. 278 , 280 .
    — from The Geography of Strabo, Volume 3 (of 3) by Strabo
  5. There were twenty boats all waiting there in Bogus Bay.
    — from Old Rail Fence Corners: The A. B. C's. of Minnesota History
  6. There were rumors of bogus titles in the names of dead soldiers and others who had left the country, but could be traced to no authentic source.
    — from The Adventures of a Forty-niner An Historic Description of California, with Events and Ideas of San Francisco and Its People in Those Early Days by Daniel Knower
  7. The Times critic was emphasising the truth that unoriginality is bad; Sir Sidney Colvin the equal truth that bogus originality is bad.
    — from The London Mercury, Vol. I, Nos. 1-6, November 1919 to April 1920 by Various

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