Across literary traditions, the word "bigot" emerges with a range of functions. In some works it serves as a proper name, as in the works of Shakespeare where characters like Bigot Salisbury or Bigot Prince Henry populate the stage ([1], [2], [3], [4]). In historical and satirical narratives, the term is wielded to characterize those who display obstinate and intolerant zeal—whether in religious or political matters—with figures described as a "religious bigot" or a "cruel bigot" embodying the perils of fanaticism ([5], [6], [7], [8], [9]). At times, the word assumes an ironic tone, highlighting the absurdity of rigid prejudice or the follies of dogmatic behavior, and even enters dialogue as a defiant self-description or casual epithet ([10], [11], [12], [13]). In this way, "bigot" functions not only as a marker of personal identity but also as a critical commentary on narrow-mindedness throughout the literary landscape.