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Literary notes about beguile (AI summary)

Beguile carries a rich dual resonance in literary language, often connoting both charm and deception. It is used to suggest the power to seduce or misdirect, as when a captivating gaze attracts and enthralls ([1]) or when a character’s manner masks a more duplicitous intent ([2], [3]). At times, beguiling serves to provide a pleasant diversion from monotony, distracting the mind from tedium or pain ([4], [5], [6]), while in other contexts it embodies the subtle interplay between appearance and reality, where genuine virtue is juxtaposed against underlying vice ([7], [8]). Whether in playful banter or in more tragic explorations of self-deception and manipulation ([9], [10]), beguile enriches narrative layers by evoking the transient, sometimes treacherous, allure of artful persuasion.
  1. The extraordinary intensity of his gaze seemed to attract it, beguile it, and draw it more surely than if he had it in tow!
    — from Twenty Thousand Leagues Under the Seas: An Underwater Tour of the World by Jules Verne
  2. Thou dost beguile the world, unbless some mother.
    — from Shakespeare's Sonnets by William Shakespeare
  3. "Mentor," he cried, "do not let Ulysses beguile you into siding with him and fighting the suitors.
    — from The Odyssey by Homer
  4. He lay in bed wakeful and restless, and took a book to beguile the tedious hours.
    — from The Sketch-Book of Geoffrey Crayon by Washington Irving
  5. while away the time, beguile the time; kill time, dally.
    — from Roget's Thesaurus by Peter Mark Roget
  6. My spirits grow dull, and fain I would beguile The tedious day with sleep.
    — from Hamlet, Prince of Denmark by William Shakespeare
  7. VOLT: So much more full of danger is his vice, That can beguile so under shade of virtue.
    — from Volpone; Or, The Fox by Ben Jonson
  8. To beguile the time, Look like the time; bear welcome in your eye, Your hand, your tongue; look like the innocent flower, But be the serpent under it.
    — from The Complete Works of William Shakespeare by William Shakespeare
  9. DESDEMONA I am not merry; but I do beguile The thing I am, by seeming otherwise.— Come, how wouldst thou praise me?
    — from Othello, the Moor of Venice by William Shakespeare
  10. Swervings like these from the strict line of fact often beguile a truthful man on and on until he eventually becomes a liar.
    — from Following the Equator: A Journey Around the World by Mark Twain

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