In literature, the word Bastille is employed as a multifaceted symbol that evokes both the oppressive weight of history and the passion of revolutionary change. Historical narratives imbue it with a monumental and sometimes mythic quality, as seen when its fall is portrayed as an event shaking the very foundations of France [1], or when the fortress stands as a grim monument of tyranny awaiting revolt [2]. At the same time, authors often use the term to set a dramatic and charged scene, whether it is invoked in heroic assemblies [3] or as a dark, foreboding environment that captures the imagination with its spectral presence [4]. In works of fiction, the Bastille becomes more than just a setting—it transforms into a powerful metaphor for social injustice and the human struggle against confinement, casually referenced in dialogue or used to heighten the emotional landscape of the narrative [5, 6]. Thus, the versatile use of Bastille in literature serves both as a historical emblem and as a dynamic literary device that continues to inspire nuanced reflections on freedom and oppression.