The word aversion in literature is often employed to evoke a profound, instinctual repugnance that can be as personal as it is symbolic. It is used to describe everything from a straightforward dislike—such as one character’s unconquerable aversion to learning Greek [1]—to the more complicated emotional and moral rejections present in social relationships and ideologies [2]. At times, aversion appears as a palpable, almost physical reaction, reflecting not only inner turmoil but also a broader commentary on human nature; one character’s avoidance of painful memories or figures illustrates this multifaceted response [3, 4]. Equally, some authors extend the concept of aversion to critique cultural or political constructs, suggesting that the sentiment itself can drive the rejection of outdated practices or imposed hierarchies [5, 6]. In these varied applications, aversion serves as a literary tool that deepens character development and emphasizes the tension between personal experience and societal expectation.