The term "auditor" in literature has worn many hats—from an impartial listener to an active critic—and its usage often mirrors the multifaceted roles audiences play in both public and private spheres. In some works, the auditor functions simply as an observer or a listener, whose reactions (sometimes subtle, as in changes of physiognomy [1], [2], [3]) reveal underlying emotions or moral judgments, as seen in passages from Shelley and Hardy ([4]). In other cases, such as accounts in legal, religious, or institutional contexts ([5], [6]), the auditor assumes more formal responsibilities, blending the roles of judge, accountant, and moral arbiter. Moreover, as seen in both dramatic narratives ([7], [8]) and analytical treatises ([9], [10]), the term extends metaphorically to denote those who parse images, symbols, or actions, thereby linking auditory reception to broader intellectual or spiritual evaluation ([11], [12], [13]). This breadth of use underscores the evolving and dynamic nature of the word, reflecting its adaptability across genres and periods ([14], [15], [16], [17], [18], [19]).