Literary notes about arthurian (AI summary)
The term "Arthurian" has come to epitomize a broad and enduring corpus of literature centered on the legends of King Arthur and his court. In literary discussions, it is often used to denote the mythical and historical elements of these legends as they appear in diverse national contexts. For instance, works focusing on the romances of Arthur, such as those arranged by characters like Morgain the fay-woman, underscore the narrative's rich, folkloric energy [1]. The term further demarcates literary traditions, distinguishing the Welsh and French influences from those emerging in England [2] [3], and has even gained favor with figures like the Italian nobles during Dante’s time [4]. Its usage also highlights the evolution and adaptation of these legends—ranging from early Welsh folklore about fairy realms linked to Avalon [5] to their reception in English literature with the first appearances in translations like the Brut [6]—and serves as a testament to its lasting appeal and versatility in literature.
- Moreover, the whole thing has been arranged by Morgain the fay-woman (an enemy of Queen Guinevere, who appears often in the Arthurian romances).
— from English Literature by William J. Long - The matter of Britain refers strictly to the Arthurian, i.e. the Welsh romances; and so another division, the matter of England, may be noted.
— from English Literature by William J. Long - (2) The work of the French writers, who made the Arthurian legends popular.
— from English Literature by William J. Long - The Arthurian Romances were the favourite reading of the Italian nobles of Dante’s time.
— from The Divine Comedy of Dante Alighieri: The Inferno by Dante Alighieri - V. A third form of Welsh popular belief as to the whereabouts of fairyland corresponds with the Avalon of the Arthurian legends.
— from British Goblins: Welsh Folk-lore, Fairy Mythology, Legends and Traditions by Wirt Sikes - If the Brut had no merits of its own, it would still interest us, for it marks the first appearance of the Arthurian legends in our own tongue.
— from English Literature by William J. Long
