Throughout literature, “appearance” functions as a multifaceted term, used to depict not only the outward look of characters and objects but also to hint at deeper, often symbolic, layers of meaning. It can denote a character’s consistent identity or an unexpected change in demeanor, as with a man retaining his recognizable form ([1]) or exhibiting an altered exterior that signifies transformation ([2]). At times, the word captures a sudden arrival or emergence that carries emotional or narrative weight—a disconcerting visitor whose presence disrupts the ordinary ([3]), or even a public debut that shifts the dynamics of a social gathering ([4]). Beyond the realm of character portrayal, “appearance” also extends to describe landscapes, objects, and even abstract concepts, evoking images ranging from the heavenly quality of a divine flame ([5]) to the architectural strength suggested by a well-drawn form ([6]). In this way, authors use “appearance” to blur the line between surface impressions and underlying truths, inviting readers to question what is seen and what remains hidden.