The term "antipodes" has been wielded in literature not only to denote literal opposites on the globe but also to evoke contrasts in character, thought, and circumstance. In many adventure narratives, such as Jules Verne’s works ([1], [2], [3], [4], [5], [6]), it marks a precise geographic extremity—often the exact opposite end of the Earth, emphasizing the vastness and unpredictability of the world. Meanwhile, authors like Mary Wollstonecraft Shelley and John Dewey deploy "antipodes" metaphorically to contrast attributes or ideas, such as frankness versus deceit or isolated thought versus interconnected truth ([7], [8]). Its usage ranges from humorous or ironic quips, as seen in Congreve’s playful remarks ([9], [10], [11]), to more profound philosophical reflections, like in Nietzsche’s and Rabelais’ texts where it challenges the conventional order of things ([12], [13], [14]). This diversity in application highlights how the concept of "antipodes" serves as a versatile literary tool for expressing both physical divergence and deep-rooted conceptual opposition.