Literary authors often employ the term "antechamber" to denote a transitional space—a waiting room or entry area that serves as a liminal zone between the public and private, or the mundane and the extraordinary. In these works, it becomes a setting for suspense and subtle dialogue, where pivotal decisions or revelations occur before characters step into more consequential chambers of power or emotion. For instance, Dumas uses the antechamber as a stage for courtly intrigues and dramatic declarations in situations brimming with tension ([1], [2], [3], [4]), while others, like Hugo and Leblanc, underscore its quiet, reflective purpose—as a threshold for private matters or secretive meetings where personal dramas unfold ([5], [6], [7]). This multifaceted usage imbues the antechamber with both a physical presence and a symbolic resonance in the narrative, marking it as a space where anticipation and transition are key.