In literature, the word "animadversion" is often used to underscore a particularly harsh or pointed criticism, as seen in classical texts. For example, in Suetonius' account of the Caesars, animadversion is depicted almost as a vivid artistic portrayal—its targets are "painted in the strongest colours" and strategically placed in the most noticeable spots, suggesting that such criticism is both emphatic and unmissable [1]. This usage emphasizes not only the intensity of the disapproval but also the deliberate and conspicuous manner in which negative judgments are displayed, reflecting the broader literary tradition of using striking imagery to convey moral and political censure.