The term "abusive" in literature has been used with a remarkable flexibility, describing everything from verbal aggression to the seriousness of moral corruption. In some texts, it serves as a critique of practices or behaviors—Émile Durkheim, for example, deems certain extensions of totemism as abusive in their overreach [1]—while in satirical or humorous contexts it paints characters in a vividly negative light, as seen when waiters are labeled “abusive rascals” [2] or an old woman is derided as “RIBIBE” [3], [4]. Poets like Alexander Pope use it to dismiss the work of detractors, referring to “abusive doggerel” [5], whereas novelists such as Dostoyevsky and Galsworthy employ the term to capture personal malice or even episodes of physical violence [6], [7], [8], [9]. This variety of usage demonstrates how “abusive” can simultaneously serve as a marker of intense personal insult and as a broader critique of societal or cultural phenomena, adapting in tone and meaning to fit the dramatic needs of differing narrative moments.