The word “abbey” in literature is employed with remarkable versatility, serving both as a literal reference to historic, awe‐inspiring religious institutions and as a symbolic or even personal marker in narrative contexts. In many works, abbeys are depicted as venerable structures steeped in history and cultural significance—such as the famous Westminster Abbey in references that underline its regal and sacred stature ([1], [2], [3], [4], [5]) or the Gothic, mysterious allure of Northanger and Tintern Abbey ([6], [7], [8], [9]). At the same time, “Abbey” appears as a personal name—most notably in Dickens’s Our Mutual Friend, where characters like Miss Abbey, with her commanding presence and distinctive voice, add a playful yet authoritative tone to the dialogue ([10], [11], [12], [13], [14]). This dual usage, ranging from concrete architectural grandeur to a more intimate and sometimes humorous identifier, illustrates how the term enriches texts by evoking both a tangible historical legacy and a nuanced character trait.