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Literary notes about World (AI summary)

Writers employ "world" in myriad ways, often using it as a multifaceted metaphor that transcends its literal meaning. In some texts it denotes the tangible physical realm—a stage for journeys, conflicts, and explorations of human nature ([1], [2])—while in others it signifies an abstract domain of ideas, emotions, or even spiritual experience ([3], [4]). At times, "world" represents the societal arena in which personal desires and public reputations are both manifested and contested ([5], [6], [7]), whereas in more philosophical or poetic contexts it evokes an inner landscape of perception and transformation ([8], [9]). This breadth of usage attests to its power as a literary device capable of capturing the complexities of both the universe at large and the intimate conditions of human existence.
  1. ‘I have almost forgotten that there is anything to do in the world but to go out tossing on the sea here.
    — from David Copperfield by Charles Dickens
  2. He had not proceeded two hundred steps, however, when, "by the greatest chance in the world," he met Fix.
    — from Around the World in Eighty Days by Jules Verne
  3. The world of ideas is large and cannot be exhausted."
    — from The Lady with the Dog and Other Stories by Anton Pavlovich Chekhov
  4. In my dream, in my last morning-dream, I stood to-day on a promontory— beyond the world; I held a pair of scales, and WEIGHED the world.
    — from Thus Spake Zarathustra: A Book for All and None by Friedrich Wilhelm Nietzsche
  5. Poets are the unacknowledged legislators of the world."
    — from Percy Bysshe Shelley as a Philosopher and Reformer by Charles Sotheran
  6. My own one, I have never loved any one in the world but you.
    — from The Importance of Being Earnest: A Trivial Comedy for Serious People by Oscar Wilde
  7. That is to say, she was now better able to stifle the emotions of which the conventions and the world disapprove.
    — from A Room with a View by E. M. Forster
  8. Let our attitude be such that we should not quake even if the world fell in ruins about us:— Si fractus illabatur orbis Impavidum ferient ruinae .[1]
    — from The Essays of Arthur Schopenhauer; Counsels and Maxims by Arthur Schopenhauer
  9. In these first two volumes the poet is satisfied with painting in words, full of sonorous beauty, the surrounding world.
    — from Poems by Rainer Maria Rilke

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