The word “where” in literature is a remarkably versatile device that not only designates physical location but also connects ideas, setting the stage for both concrete descriptions and abstract associations. It is often employed in dialogue to pose direct questions about destination or origin, as seen in classic inquiries like “Where are you going?” [1, 2]. “Where” also functions to link clauses by specifying a particular locale or circumstance, thereby enriching the narrative—for example, identifying a precise meeting spot as in “the place where the driver was waiting” [3] or describing a setting with evocative detail such as “a place where the Kolschitzygasse merges into the Favoritengasse” [4]. Furthermore, its usage extends into the realm of metaphor and introspection, guiding readers through internal journeys as well as external landscapes [5, 6]. In all its forms, “where” serves as an essential connective thread that enhances both the structure and the imagery of literary works.