In literature, the term “weeks” often functions as both a literal measure of time and a subtle narrative device that marks transitions in a character's journey or the unfolding of events. Authors use “weeks” to denote the span of significant experiences—from the blissful interludes in exotic settings [1] to periods of personal loss, recovery, or even suspenseful waiting [2, 3]. Some works emphasize the weight of these intervals, as seen in mourning or periods of internal transformation [4, 5], while others highlight how entire plot lines or political sessions are structured around these measurable periods [6, 7]. Whether indicating the duration of a voyage, the lapse between decisive moments, or the quiet persistence of time that underlies dramatic change [8, 9], “weeks” serves as a flexible unit that deepens the temporal and emotional layers within a narrative.