The term “web” in literature is employed in a variety of ways, reflecting both its literal and metaphorical versatility. In some texts, “web” evokes the tangible, natural image of a spider’s creation—a delicate, entrapping structure that symbolizes fate, danger, or mystery, as seen in descriptions of a long, motionless spider-web hanging from a tree ([1], [2], [3]) or its metaphorical use to illustrate convoluted intrigue and entrapment ([4], [5]). In contrast, “web” also emerges as shorthand for the digital realm, referring to websites, online networks, or even the concept of a politically charged digital space ([6], [7], [8], [9], [10]). This dual usage underscores literature’s ability to intertwine classical natural imagery with modern technological contexts, reflecting the evolving nature of culture and communication.