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Literary notes about Warp (AI summary)

In literature, the word "warp" operates on both a literal and metaphorical level. Literally, it refers to the strong, lengthwise threads in woven fabrics that form the framework for the weft, as seen in technical descriptions of textiles [1][2][3][4]. Metaphorically, "warp" is employed to illustrate distortion or an underlying structure that influences broader themes—ranging from the manipulation of human faculties and ideals to the fabric of society itself [5][6][7]. At times it even evokes the notion of personal destiny being intricately woven from one’s own unalterable threads [8][9]. This versatile use enriches literary language by linking tangible craftsmanship with abstract concepts of change, strength, and the impact of external forces.
  1. It is embroidered with flowers of scarlet, and purple, and blue, and fine twined linen, but the warp was nothing but fine linen.
    — from Antiquities of the Jews by Flavius Josephus
  2. The two series of threads which are interlaced receive the technical terms of warp and weft--in poetical language, warp and woof.
    — from The Jute Industry: From Seed to Finished Cloth by Thomas Woodhouse
  3. The warp consists of nine long strands sewed through the inner face of the leather so as to come out on the hinder edge.
    — from The Declaration of Independence of the United States of America by Thomas Jefferson
  4. The warp is stretched on a rude wooden frame, and this warp is either wool, linen, or cotton.
    — from The Oriental Rug by William De Lancey Ellwanger
  5. Otherwise it would not cease to repress and warp human faculties.
    — from The Life of Reason: The Phases of Human Progress by George Santayana
  6. Cursed be the social lies that warp us from the living truth!
    — from The Early Poems of Alfred Lord Tennyson by Baron Alfred Tennyson Tennyson
  7. Or, to use a Platonic image, justice and the State are the warp and the woof which run through the whole texture.
    — from The Republic of Plato by Plato
  8. It puts us under a divine spell to perceive that we are all coworkers with the great men, and yet single threads in the warp and woof of civilization.
    — from The Art of Public Speaking by Dale Carnegie and J. Berg Esenwein
  9. This warp seemed necessity; and here, thought I, with my own hand I ply my own shuttle and weave my own destiny into these unalterable threads.
    — from Moby Dick; Or, The Whale by Herman Melville

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