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Literary notes about WINTER (AI summary)

In literature, "winter" is deployed in multifaceted ways that extend beyond its literal climatic meaning. It often functions as a temporal marker, marking the end of one era or the beginning of another—as in Thucydides’s reference to the ending of a war in a particular winter [1]—or as a setting that conveys atmosphere and mood. Winter appears as a metaphor for hardship, emotional desolation, or the stark reality of nature, illustrated by Carlyle’s depiction of a cold, relentless season [2] and Dickinson’s ethereal imagery that links the season to feelings of melancholy and foreboding [3]. Authors also use "winter" to underline transitions in narrative or character arcs, as seen when a character’s life phases mirror the season’s cyclic nature [4] or when nature itself is described with vivid details of frost and clear winter nights [5]. Moreover, the term can assume nominal use, lending its name to characters and imbuing them with a frost-like detachment, as exemplified by Lord de Winter in Dumas’s work [6]. This diversity in usage highlights how winter operates on both literal and symbolic levels, enriching the narrative with layers of historical context, emotional resonance, and natural realism.
  1. And the winter ended, and with it ended also the nineteenth year of this war of which Thucydides is the historian.
    — from The History of the Peloponnesian War by Thucydides
  2. The winter is hard and cold; ragged Bakers'-queues, like a black tattered flag-of-distress, wave out ever and anon.
    — from The French Revolution: A History by Thomas Carlyle
  3. How they will tell the shipwreck When winter shakes the door, Till the children ask, "But the forty?
    — from Poems by Emily Dickinson, Three Series, Complete by Emily Dickinson
  4. The winter passed waiting for this.
    — from Madame Bovary by Gustave Flaubert
  5. It was winter, with frost and snow and a cold, clear moon.
    — from Korean folk tales : by Pang Im and Yuk Yi
  6. She thought that Lord de Winter had hastened her departure; she thought she was condemned to set off that very evening.
    — from The three musketeers by Alexandre Dumas and Auguste Maquet

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