Literary notes about WHOM (AI summary)
The word "whom" in literature serves as a marker of formal precision and refined style, standing in for the objective case in relative clauses and questions. It appears in diverse contexts—from Victor Hugo’s description of "the sight of whom was well worth any other comedy" [1] to Frederick Douglass’s account of "one of whom he killed with a hatchet" [2]—illustrating its role in emphasizing relationships and detailing actions. Whether it introduces a character "to whom" unwavering affection is directed, as in Shakespeare’s inquiries [3], or specifies individuals "for whom" significant deeds are performed, its presence lends an air of elevated discourse and historical continuity. This careful use not only upholds grammatical rigor but also contributes to the rich tapestry of literary expression.
- He was, in fact, an exalted personage, the sight of whom was well worth any other comedy.
— from Notre-Dame de Paris by Victor Hugo - Mr. Thomas Lanman, of St. Michael's, killed two slaves, one of whom he killed with a hatchet, by knocking his brains out.
— from Narrative of the Life of Frederick Douglass, an American Slave by Frederick Douglass - Say, gentlemen, what makes you thus exclaim, And wherefore crave you combat, or with whom?
— from The Complete Works of William Shakespeare by William Shakespeare
