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Literary notes about Vestal (AI summary)

In literature, the word vestal is often invoked to convey a sense of sacred purity and disciplined reserve. Historically, vestal refers to the Roman priestesses charged with tending the eternal flame—a symbol of both religious devotion and severe consequence for moral lapses ([1], [2], [3]). At the same time, many authors adopt vestal in a more metaphorical sense to describe characters or states of mind that embody an almost otherworldly, austere dignity, sometimes even tinged with irony or vulnerability ([4], [5], [6]). This dual usage allows writers across different eras to evoke the weight of ancient ritual while also commenting on the tensions between social expectations and personal desire ([7], [8]).
  1. inated in this, that Oppia, a vestal virgin, being found guilty of a breach of chastity, was made to suffer punishment.
    — from The History of Rome, Books 01 to 08 by Livy
  2. On her altar burned the never-ceasing fire, which was tended by her priestesses, the Vestal Virgins.
    — from Myths and Legends of Ancient Greece and Rome by E. M. Berens
  3. The Vestal Tuccia was accused of breach of faith, but, as proof of her purity, was given power to carry water in a sieve from the Tiber to the temple.
    — from Myths of Greece and RomeNarrated with Special Reference to Literature and Art by H. A. (Hélène Adeline) Guerber
  4. A vestal virgin might be seduced by flattery.
    — from Crime and Punishment by Fyodor Dostoyevsky
  5. Fantine had the long, white, fine fingers of the vestal virgin who stirs the ashes of the sacred fire with a golden pin.
    — from Les Misérables by Victor Hugo
  6. Existence itself is but the unceasing accomplishment of an unchanging desire; the soul is but the vestal charged to feed the sacred fire of love.
    — from Camille (La Dame aux Camilias) by Alexandre Dumas
  7. In her he seemed to be discovering, all over again, the vestal to tend the fires of his faith.
    — from The Best Short Stories of 1917, and the Yearbook of the American Short Story
  8. When Wain's attentions became obviously personal, Rena's new vestal instinct took alarm, and she began to apprehend his character more clearly.
    — from The House Behind the Cedars by Charles W. (Charles Waddell) Chesnutt

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