Literary notes about Valet (AI summary)
In literature, "valet" is used both as a straightforward reference to a personal attendant and as a device to explore the subtleties of social hierarchy and human interdependence. Authors often employ the term to emphasize the intermediary role the valet plays—bridging the intimate world of his master with the wider social sphere—while also hinting at underlying tensions of loyalty, ambition, and sometimes irreverence. For instance, in certain narratives the valet is depicted not merely as a servant but as an insightful observer who subtly influences the master’s fate or becomes emblematic of class contradictions [1] [2] [3], whereas in other works his role merges comic relief with poignant social commentary, highlighting the complex interplay between appearance and duty [4] [5] [6].
- Above them, on the box seat, were seated a coachman and a valet, while behind, again, there could be discerned a gentleman in a scarf and a fur cap.
— from Dead Souls by Nikolai Vasilevich Gogol - The valet announced the Vicomte Albert de Morcerf.
— from The Count of Monte Cristo by Alexandre Dumas and Auguste Maquet - His valet had crept several times into the room on tiptoe to see if he was stirring, and had wondered what made his young master sleep so late.
— from The Picture of Dorian Gray by Oscar Wilde - Joseph, his valet, handed him his sabretache and saber, and they all went out into the vestibule.
— from War and Peace by graf Leo Tolstoy - ‘At this the Chevalier lost all patience, fell on the wretch and was for killing him; when the opportune valet rushed in and saved him.
— from Barry Lyndon by William Makepeace Thackeray - I advise you to forget your valet Cacambo and your mistress Cunegonde."
— from Candide by Voltaire