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Literary notes about Vagary (AI summary)

The word "vagary" has been deployed in literature to capture a sense of unpredictable or whimsical deviation from the norm. In the historical context of the suffrage movement, as seen in [1], it marks a final, perhaps unpredictable, twist in the longstanding dynamics among groups, here concerning gender and rights. Hawthorne’s use in [2] underscores how even a steadfast, rational individual can be affected by peculiar and unforeseen twists in circumstance. Meanwhile, in Melville’s narrative [3], "vagary" is employed to critique a stubborn, obstinate demeanor, and Hardy’s work [4] reflects a curiosity toward an unusual, capricious habit of behavior. Together, these examples illustrate the word’s flexible capacity to denote various shades of unpredictability, from social transformations to individual eccentricities.
  1. THE LAST VAGARY OF THE GREELEY CLIQUE—THE WOMEN, THEIR RIGHTS, AND THEIR CHAMPIONS.
    — from History of Woman Suffrage, Volume I
  2. "But the strangest part of the affair is the effect of this vagary even on a sober-minded man like myself.
    — from Twice-told tales by Nathaniel Hawthorne
  3. Surely you do not mean to persist in that mulish vagary?"
    — from Bartleby, the Scrivener: A Story of Wall-Street by Herman Melville
  4. "A strange vagary, this of hers, isn't it, Oak?" said Coggan, curiously.
    — from Far from the Madding Crowd by Thomas Hardy

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