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Literary notes about Trite (AI summary)

Literary authors often use the term "trite" to denote language or ideas that, through overuse, have become stale and unoriginal. In this context, a remark or sentiment may be labeled trite when its familiarity undercuts the emotional or intellectual impact it might otherwise have—whether it is a deeply felt yet hackneyed expression of sorrow [1] or a commonplace aphorism that, though perhaps true, fails to inspire anew [2]. It is also employed to critique conventions in thought and speech, from tired moral maxims that seem more platitudinous than profound [3, 4] to idiomatic expressions whose predictability diminishes their novelty [5, 6]. At times, calling something trite serves not only as a judgment on its lack of originality but also reflects an awareness of the inherent tension in relying on common notions to articulate complex truths [7, 8].
  1. How could he know that these few trite sentences had been written in the anguish of a woman’s first great sorrow?
    — from Nelly Channell by Sarah Doudney
  2. It is a trite saying—only too frequently true—that we are often more foolish than we think.
    — from The Essays of Arthur Schopenhauer; Counsels and Maxims by Arthur Schopenhauer
  3. Needless to repeat what has grown a trite saying that it is the spirit that quickeneth, without which the best of implements profiteth but little.
    — from Bushido, the Soul of Japan by Inazo Nitobe
  4. If my judgment is faulty, let us remember that trite aphorism: "To err is human, to forgive, divine."
    — from Twentieth Century Negro Literature Or, A Cyclopedia of Thought on the Vital Topics Relating to the American Negro
  5. You will say that you were not well, that you were engaged in company, that the servant neglected to take the letter, or some such trite thing.
    — from Memoirs of Aaron Burr, Complete by Aaron Burr
  6. A trite platitude about his not caring to lose her was on his lips, but he refrained from uttering it.
    — from Adventure by Jack London
  7. Can the classic distinction between East and West, that venerable mother of trite reflections and bad arguments, be, after all, mutable?
    — from Pot-Boilers by Clive Bell
  8. It is a very true and a very trite observation that no man is ridiculous for being what he really is, but for affecting to be what he is not.
    — from The Best of the World's Classics, Restricted to Prose, Vol. IV (of X)—Great Britain and Ireland II

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