Literary notes about Timid (AI summary)
In literature, the word "timid" is often employed to illustrate a character’s inherent caution or vulnerability, subtly revealing their inner conflicts and social insecurities. It might describe a person who retreats from public challenges or adopts a hesitant tone in delicate situations, thus emphasizing their reserved nature [1][2]. At the same time, "timid" can function as a broader critique within a narrative, hinting at an overall lack of boldness in actions or strategies that ultimately undermine effectiveness [3]. Whether portraying an individual’s internal struggles or commenting on the atmosphere of a setting, the term enriches the text by offering multiple layers of emotional and psychological nuance [4][5][6][7].
- The people are timid and will all retire into their houses.” “No, no,” insinuated another.
— from The Reign of Greed by José Rizal - “But,” asked Danglars, in a timid tone, “how did you manage about the other formalities—the contract—the settlement?”
— from The Count of Monte Cristo by Alexandre Dumas and Auguste Maquet - In truth, barren results have as often followed upon headlong, close encounters as upon the most timid tactical trifling.
— from The Influence of Sea Power Upon History, 1660-1783 by A. T. Mahan - She was used to wandering about the fields by herself, and was less timid there than on the highroad.
— from The Mill on the Floss by George Eliot - Cora set the example of compliance, with a steadiness that taught the more timid Alice the necessity of obedience.
— from The Last of the Mohicans; A narrative of 1757 by James Fenimore Cooper - The indignant fire in her eyes was quenched, and she began to look at him with timid distress.
— from The Mill on the Floss by George Eliot - The error of their life is expecting to win in a fortnight what a timid lover can scarcely obtain in six months.
— from On Love by Stendhal
