In literature, the term “text” is a multifaceted concept that can refer to the original written work, a carefully transmitted scriptural version, or even a digital document. It often designates a foundational edition, such as when an edition is described as the “base” of an e‐text [1] or the authoritative scriptural text is established according to tradition [2]. In other contexts, “text” may denote the complete narrative available for reading online [3] or serve as an element subject to modification and annotation, as with added underscores or end-notes [4]. Even genres outside traditional literature, such as chess, borrow the term to describe specific game moves that “block” or “move” pieces [5, 6, 7]. Thus, whether as the core material of classical literature, a digital file in need of proper encoding [8, 9], or as the basis for scholarly discussion and correction [10, 11], “text” in literature underscores the dynamic interplay between preservation, interpretation, and practical application.