The word "testator" has been employed in literature to evoke a sense of legal gravitas and to underline matters of inheritance, legacy, and intent. In Ibsen’s Hedda Gabler, for example, it marks a figure whose generous bequests significantly exceed his own wealth, emphasizing the weight of his decisions over his estate [1]. Dumas and Maquet’s The Count of Monte Cristo uses the term to highlight the mystery surrounding what the testator truly intended, inviting a deeper inquiry into his motives [2]. Marco Polo’s writings refer to a testator in the context of vast and cross-cultural inheritances, presenting him as a man with roots in different regions, while also demonstrating the structured distribution of property, as seen in the delineation of an heir’s share [3, 4]. Furthermore, Tacitus mentions the unusual custom of involving an emperor as a co-heir with a testator’s children, further broadening the term’s implication within the realms of political and familial intertwining [5]. Even in George Eliot’s Middlemarch, the term is invoked to discuss real property and heritage in a manner that reflects both the legal and emotional dimensions of legacy [6].