The term "subconscious" has been used in literature to signify a hidden realm of mental activity—a repository of repressed memories and unseen impulses that influence conscious behavior. Writers like Chekhov evoke it as the well of secret impulses waiting to be unearthed ([1], [2]), while psychological and sociological texts describe it as the domain of suppressed memories and automatic responses, effectively rendering the individual into a machine of unseen reflexes ([3], [4]). In a more metaphysical vein, authors such as Paramahansa Yogananda extend the idea further to encompass various states of awareness, contrasting the submerged subconscious with higher centers of thought and experience ([5], [6], [7], [8], [9], [10], [11], [12]). Meanwhile, works in criminal psychology and sociology employ the term to delineate a spectrum of phenomena—from covert perceptions that influence behavior to the intricate dance between rationalization and hidden sentiment ([13], [14], [15], [16], [17], [18], [19], [20], [21], [22], [23], [24]). This multifaceted usage underscores the contested and evolving nature of the subconscious in literature, where it remains a bridge between the known and the enigmatic depths of the human mind ([25], [26], [27], [28], [29], [30], [31], [32]).