The term "simulate" in literature is often used to denote an act of imitation that falls short of true authenticity, suggesting a representation that is not entirely genuine or enduring. For instance, voices are portrayed as empty echoes—a mere opening of mouths to simulate sounds rather than to express actual communication [1]—while physical gestures are compared to withering branches merely arranged to simulate life [2]. At a deeper level, simulation is seen as a substitute for genuine qualities; the replication of life or strength, for example, is invariably temporary and can be a source of weakness [3, 4]. In other contexts, simulation serves a more strategic purpose, such as feigning an accident to mislead observers [5] or even adopting a false identity to access forbidden spaces [6]. The nuance of simulation extends to sensory and behavioral realms as well, where replacements may only superficially resemble the original in appearance or taste [7], and a thoughtful act may be nothing more than a mimicry intended to deceive [8]. Even in classical observations, simulation is understood as a subtle act—one that might mask vulnerability, such as feigning blindness to avoid danger [9].