The term "sediment" in literature has been used in both literal and metaphorical senses, highlighting its versatility as a concept. In some texts, such as Ukers' discussion of coffee [1, 2] or Apicius' culinary directions [3], sediment refers to tangible deposits—whether the remnants of a brewed beverage or the compounds necessary for a recipe. In the realm of natural observation, Darwin and the Lewis and Clark journals [4, 5, 6, 7, 8] employ the word to describe the physical settling of particles in water bodies, emphasizing processes of accumulation and environmental change. On the other hand, authors like Nietzsche [9] and Santayana [10] use sediment metaphorically to denote the underlying residue of emotional, intellectual, or moral life—the husks of our internal experiences. Even playful uses appear in Ben Jonson’s work, where the term is morphed into puns contrasting with similar-sounding words [11, 12]. Thus, "sediment" operates on multiple levels, bridging the concrete with the abstract across literary genres.