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Literary notes about Secular (AI summary)

In literature, the word "secular" is used to contrast the worldly and non-religious with the sacred, providing a framework for discussions that range from governance and education to art and architecture. It often marks a shift from divine or ritual matters, as seen in descriptions of monarchies blending with national grandeur [1] or in discussions of the independent, modern intellectual [2]. At times it delineates aspects of human culture—such as poetry, musical genres, and civic structures—that are deliberately set apart from religious influences [3, 4, 5]. Authors also invoke "secular" to underscore the tension between the ordinary and the exalted, whether in reference to lifestyle choices and attire [6] or in the broader context of historical transitions from sacred to worldly paradigms [7, 8, 9].
  1. It has mingled, though with regret, the secular grandeurs of the monarchy with the new grandeurs of the nation.
    — from Les Misérables by Victor Hugo
  2. Modern times had created the independent thinker, the free intellectual in a secular civilization.
    — from The Enchiridion by Epictetus
  3. Four of the secular poems are didactic in character.
    — from A History of Sanskrit Literature by Arthur Anthony Macdonell
  4. Germany possesses a number of important examples of secular Gothic work, chiefly municipal buildings (gates and town halls) and castles.
    — from The Declaration of Independence of the United States of America by Thomas Jefferson
  5. It is secular in style as well as in matter, being almost free from references to any of the gods.
    — from A History of Sanskrit Literature by Arthur Anthony Macdonell
  6. “She used to go to his house in secular dress whenever he wanted her.
    — from The Memoirs of Jacques Casanova de Seingalt, 1725-1798. Complete by Giacomo Casanova
  7. A secular age succeeds to a theocratical.
    — from Gorgias by Plato
  8. Where secular history begins the human race had passed into the second stage.
    — from Know the Truth: A Critique on the Hamiltonian Theory of Limitation by Jesse Henry Jones
  9. It is not what a man does that determines whether his work is sacred or secular, it is why he does it.
    — from The Pursuit of God by A. W. Tozer

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